The Theatrical Spectrum: Privilege And Pressure

By Ethan Taylor, Stagedoor Team.

On their website, Old Sole Theatre Company refer to something they call the ‘theatrical spectrum’. This is something that most are aware of but still like to pretend does not exist; theatre’s overwhelming tendency to categorise and pigeonhole. This is a musical. This is a ‘straight’ play. This is mainstream. This is fringe. Looking to see a comedy? Will that be satirical, political, restoration, bedroom, surrealist, deadpan, farcical, physical or improvisational? There are frankly more genres in theatre than there are celebrity castings.

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Emma Rice’s work isn’t breaking the Globe’s mould — it is expanding it.

By Lara Levet, Partnerships Coordinator @ Stagedoor

Emma Rice became the Globe’s Artistic Director in April 2016, following Mark Rylance and Dominic Dromgoole. Yet, a few days ago, the theatre’s Board decided that Emma’s work didn’t correspond to their conception of the Globe’s mission. Her recent productions and their use of a brand new lighting rig and amp sound system were deemed to distract the Globe from its purpose:

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Is it for you? Your curated guide to the remaining of The Camden Fringe Festival.

By Evi Triantafyllides, Head of Community and Social.

Scroll through the shows, browse, read, decide which are made for you, bookmark and ❤ them on Stagedoor, and possibly…attend?

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For the artists, the explorers, and the curious: The Camden Fringe is here!

By Evi Triantafyllides, Head of Community & Social

Mid-nineties. A duo whose passion and craze for the theatre kept them going through thick and thin, no matter what. Your typical, charming, pub theatre in the heart of Camden, where the nights were always filled with excitement and dare. And then, of course, the annual long trips away from home, all the way to the Edinburgh Fringe, for a much anticipated month of theatre extravaganza.

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The Camden Fringe is here!”

Who Said life was easy?

By Niki Campbell, Content Manager @ Stagedoor.

The British Arts Council have had over £100m slashed from their budget. The BBC are spending £800m less per year and restricting budgets for new drama. An increase in online streaming has put pressure on the film and TV industries and people are struggling to afford theatre and cinema tickets. Meanwhile, drama schools are spitting out thousands of hopeful graduates, year after year, into a crowded industry, hoping for success in what has forever been described as ‘not a proper career.’

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